Step up your game to a different cinematic level, with gorgeous skin tones and outstanding dynamic range, excellent highlight roll off, and over 14 stops of dynamic range. It is a compact, self-contained and lightweight system which is extremely versatile, with sealed electronics, built in NDs, splash and dust-proof. Our package comes with 4:3 and ARRIRAW licenses, Wooden Camera D-Box+, Wooden Camera A-Box, and multiple lens mounts, shoulder rig, EVF. Optional add-ons - 503 or 703 UltraBright monitor, Beachtek DX-CINE 2 pre-amp, wireless grading via Pomfort Livegrade.
The Sony PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. Harness an impressive 15-stop dynamic range, 10-bit 4:2:2 to dual slots with options in UHD p to 60 fps. Future firmware update will allow a staggering 180 fps in HD and output 16-bit raw in 4K or 2K up to 120 fps. Pretty impressive. Make use of the excellent dual native ISO of ISO of 800/4000. This camera which looks very similar to the Venice big brother, has a beautiful cinematic image. Also includes the XDCA-FX9 Extension Unit to add additional I/O and power to your camera, 4-pin XLR DC power input, D-Tap, as well as a 4-pin Hirose DC power outputs to power accessories and other equipment.
RED Digital Cinema's impressive Weapon Helium S35 features a 29x15.77 sensor, with 35.4 megapixels, up to 60fps in 8K full format and 75 fps in 2.4:1. Capture raw as well as ProRes or Avid proxies, and have tons of flexibility in post. Plenty anamorphic options as well. Also available with OMOD CMD RT+ for Livegrading, Ambient ACN wireless timecode, real-time HDR-2084 monitoring and provides additional SDI ports. This is a stellar system with remarkable flexibility.
Sony's versatile F7S Mark II (PSWFS7MII) offers a variety of options for any production, be it documentary, corporate or narrative, with 4K DCI, 2K or HD. Comes with E-mount, and options for Canon's EF or PL mount, built in electronic variable NDs, XLR inputs, out of the box 4K up to 60fps. Add in the optional XDCA Extension Unit and you get 12-bit 4K or 2K Raw output and up to 240fps. It's the most popular camera on the market today for small to large projects. Use together with the A7S II, and Movi for an incredible package.
Read more about the Sony FS7 II
PANASONIC VARICAM 35
Truly one of the best cameras on the market, with more capabilities than most systems, offering a dual native ISO of 800 and 5000, 4K output, as well as in and external camera color grading. Capture the beautiful Varicam look with 14+ stops of dynamic range, up to 120 fps in ProRes, audio capture with high frame rates, and the ability to record uncompressed RAW via Codex*. The Varicam 35 is a force to be reckoned with, rivals the ARRI Alexa, and used in narrative features, shorts, episodic TV, documentaries and more.
Read more about the Panasonic Varicam.
SONY A7S II
A full frame camera, with built in image stabilization, and featuring remarkable low-light capabilities, 4K QuadHD and up to 120fps in HD, the A7S II is a favorite among many. Paired with the FS7 as a second camera, or alone on a Movi Pro, this is a formidable camera with multiple S-LOG options. Available with Metabones EF and PL adapters.
Read more about the Sony A7S II
With one of the most gorgeous images out of camera, Fujifilm's versatile XT-3 shoots both high quality production stills, as well as offering UHD and DCI 4K video, including 10 bit 4:2:2 via HDMI at up to 400Mb/s.
Dual SD card slot, Fuji F-LOG, including Eterna which features a beautiful cinematic look, muted colors and rich shadows, Classic Chrome, Acros and more.
Read more about the Fujifilm XT-3
Hypersmooth, Max TimeWarp, Max SuperVideo, plus a single-lens HERO and dual-lens 360 camera. Shoot video with unbreakable stabilization or capture immersive 360 footage in 6K1. Vlog to the max with shotgun-mic performance and a front-facing screen. Reframe, capture 360degree audio.
With incredible color accuracy, impressive daylight view-ability, and rugged build quality with milled aluminum housing, the SmallHD 1703 17-inch HD reference grade monitor is an excellent addition to any production, at home in the field or studio. Covering 100% DCI-P3, with PageBuilder, easy LUT installation, False Color, multiple scope options with up to three cutomizable scopes on a single screen at the same time, dual view and more.
Comes with V-mount, C-stand mount with VESA compatibility, feet, RapidRail Mount, screen protector, 8GB SD card, sunhood. SDI cables available.
The SmallHD 703 UltraBright is the brightest 7-inch monitor available at this time, boasting a big 2200 nits brightness, covering 100% REC709, with HDR preview, offering PageBuilder OS, excellent 3D LUT support, false color, multiple scope options, dual view, 12v Lemo, cross conversion from HDMI to SDI and SDI to HDMI, and more.
Read more about the SmallHD 703 Ultra Bright.
SMALLHD 503 ULTRABRIGHT MONITOR
The SmallHD 503 UltraBright is the smaller brother to the 703, with the same features. This is an excellent monitor for both large and smaller systems and the best monitor for gimbals like Movi Pro. Boasting a big 2200 nits brightness, covering 100% REC709, with HDR preview, offering PageBuilder OS, excellent 3D LUT support, false color, multiple scope options, dual view, 12v Lemo, cross conversion from HDMI to SDI and SDI to HDMI, HDR preview function, and more.
Read more about the SmallHD 503 UltraBright.
PANASONIC BT-LH 2170 PRODUCTION MONITOR
A 21" workhorse, full HD with 10 bit image processing engine, focus in red, blue only, waveform, vectorscope, Y-map, Zebra, 3D assist functions, dual screen options, rugged with an aluminum diecast body.
Comes with heavy duty case, screen protector, sunhood.
Read more about the Sony FS7 II
CANON CN-E SERIES CINEMA LENSES (PL MODIFIED BY DUCLOS LENSES)
An entire range of Canon CN-E series lenses from 14mm, 24mm, 35mm, 50mm, 85mm, 135mm, covering full frame.
These are rare PL mount only, converted by the excellent Duclos Lenses. Come in a heavy duty flight case.
I also offer Canon L-series glass from 16-35mm, 24-70mm, 70-200mm and 100-400mm
CANON L-SERIES LENSES
We offer the following L-Series lenses from Canon:
Note: May or may not include pre-added lens gear zip ties. Please confirm with Synchronicity if lens gears are required.
GIMBALS & DRONES:
FREEFLY MOVI PRO WITH MIMIC
Freefly Systems' Movi Pro has changed the game, offering a buffet of unique, easy to achieve shots. It's smart, versatile, the most reliable gimbal around, and very powerful, in every way. With our gear, it's just sensational.
Comes standard with:
Movi Pro (with Mimic)
Cinemilled Ready Rig Spindle Conversion.
Cinemilled PRO Dovetail
ReadyRig GS vest with Pro arms
Available Add-Ons (Not included in standard package):
Cinemilled Ready Rig GS Swivel for massive flexibility in tracking shots.
SmallHD 703 UltraBright monitor.
Atomos Shogun Inferno 4K screen/recorder with sunhood.
O CONNOR 2065, RONFORD BAKER STICKS PACKAGE (Mitchell mount)
Ultimate reliability with O Connor. The 2065 fluid head is suitable for cameras heavier in weight and can take up to a payload up to 89 pounds in weight. Features an infinitely variable counterweight balance (crank style).
Euro style with Touch & Go Plate, Ronford Baker heavy duty tripod, ground spreader, heavy duty case for both legs and head.
Also available is 150mm Bowl adapter, Cine 60L legs (9lbs) for lower shots, faster set ups when working with a smaller team, or a 150mm bowl is needed.
Take efficiency on set or on location with the revolutionary new Flowtech 100 from Sachtler. This is our go to tripod and speeds up set up times significantly.
Provides a height range from a low 10" to 5' and quickly moves from low to high shots, with a payload up to 66lbs. Easy to carry with smoother, flatter leg design, as well as carry handle. Once you use this, you will never go back. Works brilliantly with the 18 S2 fluid head.
Comes with a mid-level spreader as well as rubber feet
With payloads from 4-48 lbs, the Sachtler 18 S2 fluid head has an excellent range catering for an array of camera systems.
Weighing only 9lbs. Comes with the Speed Lock, 2 stage CF, mid-level spreader tripod capable of payloads up to 88 lbs.
Read more about the Sachtler System 18 S2.
MATTHEWS 45" SLIDER
Mathews excellent slider is heavy duty and lightweight, and can accept any combination. Comes with a Mitchell Mount, as well as 150mm and 100mm bowl adapters. This also supports adding more than a single carriage for A and B cameras as needed, and can work-upside down for low-angle shots. Has a rotating Mitchell base which can be offset to extend the reach.
Can be used with Matthews Sliders (also available, as well as tripods, c-stands, Jr. stands and more).
Read more about the Matthews 45" Slider.
KESSLER CRANE SHUTTLE DOLLY
The Kessler Crane Shuttle Dolly is an outstanding addition to any filmmaker's kit. Offering solid billet aluminum construction, easy, fast set up and utilizing speed rail fr longer length slides. Can handle up to 125lbs payload and set up in a variety of shooting situations, inclined, underslung and more. Can be operated manually or with Kessler's CineDrive motion control (shown below).
Read more about the Kessler Crane's Shuttle Dolly.
MATTHEWS BRAUER HOSTESS TRAY KIT
The MSE Brauer Hostess Tray allows one to mount video and film cameras to the car's side door for shooting profiles shoots through the window. Adjusts with the window's up and down movements, and also allows you to open and close the vehicle door.
Read more about Matthews Studio Equipment's Brauer Hostess Tray.
MATTHEWS FREEDOM MOUNT KIT
The Freedom Car Mount from Matthews Studio Equipment gives you excellent camera support and flexibility. Mount a heavier cinema camera on a a vehicle from a car, boat, truck, van, and more. Can take up to an 80 lb payload.
Has a 360° rotating grip head which is secured via a vacuum cup, cheese plate and Ricky Rods.
Read more about Matthews Studio Equipment's Freedom Mount Kit.
KESSLER CRANE POCKETJIB PRO & KPOD TRIPOD
The Pocket Jib PRO is a compact, portable jib capable of up to 50lbs payload at any length configuration, for cameras like RED and ARRI Alexa. Can also mount the Kessler Pocket Dolly or CineSlider onto this, as well as Freefly's Movi Pro with a 100mm half-ball, Ninja Star and Toad-In-The-Hole. Has a maximum reach of 5'.
Comes with the Kessler KPod heavy duty tripod as well as Hercules Head. Also available is the K-Flex track available for KPod moves.
The SMP RAM Promaster 1500, customized to carry any gear needed for a particular shoot, with fold-able shelves, making the most usage of space and allowing movement, allowing one to combine very versatile, lighting, grip and camera options. With this loaded, you've got options from great lighting, camera, gimbal and drone, catered to specific needs per shoot, with a compact package, ready to shoot, and saving you time on set.
Read below for just some of the highlighted lighting & grip gear available.
HUDSON SPIDER MOZZIE DELUXE KIT
There's a reason why this has taken the film industry by storm and used by the top cinematographers in the world. It's fast, gorgeous, bright, efficient, turns into a 43 inch or 7 foot umbrella bounce, and is light and easy to rig.
The smaller brother to the Redback, is travel ready and outputs a stellar, high quality light.
Probably the most beautiful light you've ever seen.
Read more about the Hudson Spider Mozzie.
ALADDIN FABRIC-LITE 200
With almost LIMITLESS rigging possibilities, the Aladdin Fabric-Lite is a powerful, fold-able, 3x3ft fabric that is especially useful for having a super fast, battery powered bi-color fixture for travel purposes. Dimmable from 1-100% with an adjustable color temperature from 2900°K to 6300°K. Comes with a lightweight tube frame used to create a gorgeous softbox, as well as an egg crate.
Read more about the Aladdin Fabric-Lite 200.
LITEPANELS GEMINI 2X1
A gorgeous soft light with a High CRI/TLCI of 97 (Daylight) and 99 (Tungsten). Featuring variable color temperature CCT Mode, Plus / Minus Green Control, Hue, Light Intensity and Saturation Control and much more. Comes with a DOPChoice Snapgrid.
Controllable via smart phone app thanks to the added dongle!
Read more about the LitePanels Gemini.
ARRI SKYPANEL S60-C
Skypanels easily accessible, along with any other ARRI LED or HMI unit.
Read more about the ARRI Skypanel S60-C.
ASTERA HELIOS TUBE FP-2
With all the features of its big brother Titan Tube, but half the size (22.7 inches), the Helios tube is excellent for tight spaces, hiding fixtures on small locations. IP65 rated like the Titan, with an LG LiOn battery powering the Helios for up to 20 hours. Also has built in wireless to work with the ART 7 wireless control box.
High CRI and TLCI of 96+, with tunable white color range from 1,750K to 20,000K, colors, HSI control, Green/Magenta correction, effects like Emergency, and so much more
Read more about the Astera Heliios Tube FP2.
K5600 1600W JOKER BUG WITH BUG-A-BEAM
A very powerful par fixture which can be plugged into a 15 amp circuit, throwing a bright beam a long distance.
Comes with Medium, Wide and Super-Wide as well as Frosted Fresnel stipples, scrims, barn doors and more.
Combine with the bug-a-beam adapter to add Leko barrels, this is excellent for a defined shaft of sunlight through a window.
Read more about the K5600 JokerBug.
MOLE 900W SENIOR DAYLIGHT LED FRESNEL
Mole Richardson is a legend in the filmmaking industry. They need no introduction.
A high CRI Daylight LED fixture (5K tungsten equivalent) with a strong build quality, and the beauty and versatility of fresnel lights.
Read more about the Mole 900 Daylight LED Senior.
DP LUMI 1X3, 3X3 KIT
DP Lumi's sensational bi-color 1 X 3 ft LEDs offer excellent power at incredible CRI's of over 96 from 3200K to 5600K, and in between temperatures. All come with softboxes and egg crates. Stack all 3 fixtures together in a 3X3 grid through a softbox for a gorgeous light. Perfect for top lights with wide shoots, or 3 camera set-ups where fixtures need to be well placed out of camera.
Read more about DP Lumi.
Fiilex's Dense Matrix Technology gives you an impressive CRI of 96 and is a 1,500-2000W tungsten equivalent, color tuneable from 2800 - 6500K as well as having flicker free dimming from 0-100%. Add in the Para Softbox and this is a stunning key light for multiple uses. With the 8 inch fresnel lens accessory, your power increases, and your beam angle narrows from 25° to 10°. Weighing less than 13 lbs and featuring enhanced weather-resistance (IP-24), the compact Q1000 can be easily rigged into any studio or used for on-location shoots.
Read more about the Fiilex Q1000.
BBS AREA 48 REMOTE PHOSPHOR
High CRI with Tungsten, Daylight and Chroma Blue panels for blue screen lighting. Ganged together with the 2X2 grid, these create a gorgeous, and powerful soft light (5K tungsten equivalent!) Also available with DOPChoice softboxes, and egg crates to control spill.
Read more about BBS Area 48.
APUTURE LIGHTSTORM 300D
SUPER lightweight and powerful, the Aputure Light Storm 300D daylight LED has a CRI of over 96 and is as powerful as a 400w HMI or 2K tungsten. One can easily fill shadows in daylight with this fixture. The light weight fixture weight in at just 4.6lbs, making for multiple rigging options on location. Comes with spacelight and fresnel accessories.
Read more about the Aputure 300D.
DIFFUSION & GRIP OPTIONS
There is a LOT more than what's shown below, but some options available are:
12 X 12 frames
6 X 6 frames with
8 X 8 frames
4 X 4 frames
4 X 4 Floppies.
Medium Chimera Pancake
4 X 4 Bleached Muslin
4 X 4 Unbleached Muslin
4 X 4 Silent Full Grid Cloth
6 X6 Lite Gridcloth.
6 X 6 Matthbounce.
6 X 6 1/2 Soft Frost.
8 X 8 Silk.
8 X 8 Matthbounce.
12 X 12 Matthbounce
12 X 12 LiteGrid Cloth.
12 X 12 Solid.
12 X 12 Matthews Chroma Green and Blue Screen combo